The artist is the creator of beautiful things. To reveal art and to conceal the artist is art's aim.

The critic is he who can translate into another manner or a new material his impression of beautiful things.

The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming.

This is a fault.

Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope.

They are the elect to whom beautiful things mean only beauty.

There is no such thing as a moral or an immoral book. Books are well written, or badly written.

That is all.

The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.

The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.

The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved.

No artist has ethical sympathies.

An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything.

Thought and language are to the artist instruments of an art.

Vice and virtue are to the artist materials for an art.

From the point of view of form, the type of all the arts is the art of the musician.

From the point of view of feeling, the actor's craft is the type.

All art is at once surface and symbol.

Those who go beneath the surface do so at their peril.

Those who read the symbol do so at their peril.

It is the spectator, and not life, that art really mirrors.

Diversity of opinion about a work of art shows that the work is new, complex, and vital.

When critics disagree, the artist is in accord with himself.

We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely.

All art is quite useless.

-Oscar Wilde

That said, I like to post stuff.

Theme by nostrich.

20th February 2012

Photo reblogged from It's Okay To Be Smart with 498 notes

jtotheizzoe:

The Forgetting Pill: Can We Erase Painful Memories?
If you could take a pill that would erase any memory, would you take it? Traumatic memories can be painful, debilitating baggage, persisting for decades and often difficult to control. Previous therapies involved discussing traumatic memories in detail, but new models of the elastic and networked basis of memory have demonstrated that this isn’t effective. Jonah Lehrer writes in Wired:

Since the time of the ancient Greeks, people have imagined memories to be a stable form of information that persists reliably. The metaphors for this persistence have changed over time—Plato compared our recollections to impressions in a wax tablet, and the idea of a biological hard drive is popular today—but the basic model has not. Once a memory is formed, we assume that it will stay the same. This, in fact, is why we trust our recollections. They feel like indelible portraits of the past.
None of this is true. In the past decade, scientists have come to realize that our memories are not inert packets of data and they don’t remain constant. Even though every memory feels like an honest representation, that sense of authenticity is the biggest lie of all.

However, a “memory” is not a “thing”, in the usual sense of the word. It is an experience, in our brain, that we replay.
We have new understanding that the formation of memories is utterly dependent on biological processes, on proteins that help write new connections in our neural network. When we “re-fire” this network, we “recall” a memory. What if we could block the proteins that write the connections? Could we truly forget?
New research is getting close to just that. In rats, drugs can block the function of a key protein (PKMzeta) involved in strengthening memory synapses. The effect is preventing experiences from being reinforced. In a sense, one can forget that small neural web, and the memory that it encodes.
When we begin to view memory as relative, as dependent on a constant flux of neural networks, it calls into question what is “true”. And the ethics of taking a “forgetting” pill are just as murky. It turns out that our assumption that we can’t choose what to remember or forget is wrong, and soon we might have the power to make that choice. Would you?
For more, check out Jonah Lehrer’s full article, and this series on PKMzeta from Ed Yong. 
(via Wired Magazine, image by Dwight Eschliman)

jtotheizzoe:

The Forgetting Pill: Can We Erase Painful Memories?

If you could take a pill that would erase any memory, would you take it? Traumatic memories can be painful, debilitating baggage, persisting for decades and often difficult to control. Previous therapies involved discussing traumatic memories in detail, but new models of the elastic and networked basis of memory have demonstrated that this isn’t effective. Jonah Lehrer writes in Wired:

Since the time of the ancient Greeks, people have imagined memories to be a stable form of information that persists reliably. The metaphors for this persistence have changed over time—Plato compared our recollections to impressions in a wax tablet, and the idea of a biological hard drive is popular today—but the basic model has not. Once a memory is formed, we assume that it will stay the same. This, in fact, is why we trust our recollections. They feel like indelible portraits of the past.

None of this is true. In the past decade, scientists have come to realize that our memories are not inert packets of data and they don’t remain constant. Even though every memory feels like an honest representation, that sense of authenticity is the biggest lie of all.

However, a “memory” is not a “thing”, in the usual sense of the word. It is an experience, in our brain, that we replay.

We have new understanding that the formation of memories is utterly dependent on biological processes, on proteins that help write new connections in our neural network. When we “re-fire” this network, we “recall” a memory. What if we could block the proteins that write the connections? Could we truly forget?

New research is getting close to just that. In rats, drugs can block the function of a key protein (PKMzeta) involved in strengthening memory synapses. The effect is preventing experiences from being reinforced. In a sense, one can forget that small neural web, and the memory that it encodes.

When we begin to view memory as relative, as dependent on a constant flux of neural networks, it calls into question what is “true”. And the ethics of taking a “forgetting” pill are just as murky. It turns out that our assumption that we can’t choose what to remember or forget is wrong, and soon we might have the power to make that choice. Would you?

For more, check out Jonah Lehrer’s full article, and this series on PKMzeta from Ed Yong. 

(via Wired Magazine, image by Dwight Eschliman)

Source: Wired

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    Would you? Of course I would. I would take ALL OF THEM.
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    Our worst memories help us grow. You cannot learn from these horrible moments if you don’t remember them in the first...